It reminded me of an article on Ars Technia that compared the struggles of copyright law today with the struggles of property law during America's westward expansion. Then, property law was based on the British Common law system. In Britain, land was scarce and ownership well-defined. The opposite was true on the American frontier. Inevitably, landless Americans moved out west, settled on an arbitrary plot of land, and built homestead. These squatters were there illegally, and frequently, blood was shed over their claims. It was a widespread problem. Ultimately, however, it was solved, not by more strictly enforcing the laws of the time, but by adapting the law to new realities on the frontier and legitimizing squatter claims.
In copyright, we have a similar situation. Twentieth-century copyright law was geared toward large firms like publishers, broadcasters, record labels, etc.
Because few individuals could afford their own printing presses or broadcasting equipment, 20th-century copyright law hardly ever impacted the actions of ordinary Americans. The large firms that were subject to copyright law could afford to hire lawyers to advise them on what the law required. But the emergence of the Internet and other digital technologies have brought the technologies of wide-scale content creation and distribution to the masses [read: convergence]. As a result, millions of people suddenly have to worry about copyright issues that previously applied only to commercial firms. Many of them find the requirements of copyright law unreasonable, and they have reacted by simply ignoring it.Essentially, I see two things happening, here.
- Technology is evolving faster than the US government can legislate. The Digital Millennium Copyright Act of 2000 was amended with exemptions only six years after entering force (it was originally an amendment to a 1976 act), and even amended, is outmoded in regards to the problems of today.
- The average citizen probably doesn't even know about the DMCA, let alone its content.
2 comments:
The RIAA article you linked to is very interesting and made me question MY understanding of copyrights as they pertain to music CDs. I believe that buying the album on CD entitled me to rights to play the music on whatever device I choose. If I rip it and put it on my computer, that's OK because I purchased the rights to the songs and I got a cool beverage coaster (CD) out of the deal. If and when I decide to sell the CD and the rights to that music, it's my responsibility to also remove those tracks from my computer/MP3 player, etc. This concept seems alien to MANY people I know, even highly educated folks. Am I just being paranoid or is that the way it's supposed to work?
This made me think, where does one find the information for us to be law abiding digital citizens? When you install something like iTunes, there's a screen with the "terms and conditions" for use of that software. Has anyone ever actually taken the time to read that before clicking the "I agree" box and moving on? The same is true of virtually all software you install - perhaps the answers to some of these legality issues are buried in these (boring) "agreements" we all dismiss.
As this all pertains to the iPhones and hacking their systems, I'm confident that the warranty becomes void, but that it's probably not illegal, unless Skype/VoIP have restrictions on what types of devices can utilize their services.
The copyright discussion is a very interesting and complicated one in my mind. With open source and creative commons, copyright and ownership is constantly changing and new theories are constantly being developed.
The critical art ensemble wrote a short piece about the advantages of anti-copyright, and why copyright is bad, in "The Financial Advantages of Anti-Copyright."
http://www.critical-art.net/books/digital/tact8.pdf
Growing up around graphic designers who design original things for clients, its always seemed, to me, to be in the best interest for protection purposes to utilize copyright laws, but this article really sways how I feel about copyright. They talk about the “privatization of culture” which is what they suggest will happen when copyrights and limits are put on work and tools. When put in this perspective open source and things like that does sound like a good idea. Culture is free and free forming through the people who make it. CAE is connecting protected work to a concept most people are aware of: the haves versus the have-nots. In their opinion art and the tools used to create it would turn into something that some people have access to and some do not.
CAE connects copyright to art and the tools and programs that create it, but it could really be relate to things like music, videos, games, and phones.
Sidenote- all of CAE's writings and books are available online for free... they only ask that you inform them if you are using it for something else. I like that they practice what they preach....
http://www.critical-art.net/
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